The Transparency of the Senses in Anthroposophy

Glossary Anthroposophy 3 min read
The Transparency of the Senses n.

Steiner's finding that a healthy sense organ, examined by imaginative consciousness, works like colourless glass: it produces no qualities of its own.

The Transparency of the Senses in Anthroposophy is Rudolf Steiner's finding that a healthy sense organ adds nothing of its own to what it perceives, and can therefore be compared to colourless transparent glass rather than to tinted spectacles. He set it out in the Philosophy lecture of the Dornach course of 4 April 1921, published as GA 76, The Stimulating Effect of Anthroposophy on the Individual Sciences. Examined not with everyday concepts but with imaginative consciousness, the so-called normal eye shows a construction that suspends the production of sense qualities within itself. Colour, tone, and warmth therefore belong to the world, not to the perceiver. A partially colour-blind eye is the instructive exception: it acts like coloured glasses and does alter the subject. The consequence Steiner draws is that the familiar argument from colour blindness to the subjectivity of all perception collapses, and the paired concepts of subject and object give way to thinking.

The Transparency of the Senses names the constitutional fact Steiner reached when he stopped asking how an outer world acts on an inner one and asked instead what a sense organ actually is. His answer was that the eye is built to cancel its own contribution. Sensory quality is not manufactured behind the retina and then projected outward. It is met, and the organ lets it through.

I will find: if I take the structure of the so-called normal eye, I have given it a structure that proves to be transparent, that can be compared to the transparent-colorless glass. I find nothing in the normal eye that indicates that the external world is qualitatively changed in any way. But I must not conduct this investigation with the ordinary concepts that I have in everyday consciousness, but with the imaginative consciousness that can truly penetrate the structures of the eye.

Rudolf Steiner, The Stimulating Effect of Anthroposophy on the Individual Sciences (GA 76, lecture of 4 April 1921, Dornach)

Analytic philosophy reached a very similar image through a different door. In 1903, writing on the refutation of idealism in the journal Mind, G. E. Moore called consciousness diaphanous: when we try to fix attention on the sensation of blue, the blue is all we find, and the awareness itself slips away. Gilbert Harman sharpened the point in 1990 in The Intrinsic Quality of Experience, using the example of Eloise looking at a tree. Eloise can attend to the tree, to its brown trunk and its green leaves, but she cannot attend to any feature of her experience that is not a feature of the tree. Michael Tye built a full representationalist theory on that observation in Ten Problems of Consciousness (MIT Press, 1995): experience is transparent, so the qualities we find in it are the world's qualities, presented.

The wording is nearly Steiner's. The method is not. Moore, Harman, and Tye argue from introspective report, so their transparency is something a philosopher fails to catch. Steiner argues from the constitution of the organ, read by imaginative consciousness rather than by looking inward, so his transparency is something the eye is, whether or not anyone introspects.

Thalira synthesis: transparency is the rare point where spiritual science and hard analytic philosophy of mind arrive at the same sentence, and the difference between them is not what gets seen but who does the seeing, an introspecting subject in one case and a trained organ of cognition in the other.

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